Moderating panel at the Entangled Urbanism symposium at Northwestern University, Evanston, May 17-18, 2018.
Moderating panel at the Entangled Urbanism symposium at Northwestern University, Evanston, May 17-18, 2018.
Keynote, “Architecture of an Accelerated Metropolis,” for the conference “Chicago Schools: Authors, Audiences, Histories” at IIT’s Crown Hall, Chicago, November 18, 2017, 3:30pm.
The College of Architecture, Design, and the Arts at UIC recognizes Eisenschmidt with the Silver Circle Award for teaching. Thanks to the graduating class of 2017 that selects the recipient.
The Association of Collegiate Schools of Architecture (ACSA) recognizes Eisenschmidt with the ACSA Creative Achievement Award for his “teaching, design, and scholarship … that advances architectural education.”
Lecture, “In Pursuit of an Architectural Urbanism,” at GSAPP Columbia University, New York, February 15, 2017, 3 pm.
Lecture, “The City as Visionary Project,” to the Urban Design Program at the Taubman College, University of Michigan, February 3, 2017, 6pm.
Catalog essays on “Search for an Architectural Urbanism” by FIG projects, “Fantastic,” in The Form of Form (Zurich: Lars Müller and Trienal de Arquitectura de Lisboa, 2016), 118-119 and “Urbano Fantástico,” in O Mundo nos Nossos Olhos – The World in Our Eyes (Lisbon: Trienal de Arquitectura de Lisboa, 2016), 8-9.
Lecture, “In Pursuit of an Architectural Urbanism,” at KU Leuven Campus Sint-Lucas, Brussels, Belgium, October 10, 2016, 6:30pm.
Visionary Cities Project / Alexander Eisenschmidt, In Search for an Architectural Urbanism exhibition at The World in Our Eyes as part of the 4th Lisbon Architecture Triennale, Lisbon, Portugal, October 6, 2016 – January 15, 2017.
In Search for an Architectural Urbanism juxtaposes two large-scale panorama drawings of visionary cities in search for new forms of architectural urbanism that are able to navigate the contested but highly productive realms of contemporary urbanization. One drawing, “City of Architectural Fictions,” represents unbuilt but architecturally significant proposals while the other, “City of Urban Facts,” shows built innovations that are largely unknown. In addition, each drawing is supplemented by a catalog that documents the examples that can be found in the drawings — a 400-page catalog on the history of visionary projects on the city and a 250-page catalog on the breath of urban innovation. Continue Reading →
Thanks to the Getty Foundation in LA for supporting the book project The Good Metropolis with the Library Research Grant. Summer 2016.
University of Illinois at Chicago names Eisenschmidt the “Rising Star – Researcher of the Year 2015.” Ceremony: February 17, 3:30pm.
Design for Visual and Performing Arts Center at UIC on view at Gallery 400, August 10 – 27, 2016; 400 South Peoria Street, Chicago, IL 60607.
The new building for the Visual + Performing Arts Center at UIC is conceived as an “Arts Campus,” a nexus between the different departments of the College of Architecture, Design and the Arts as well as between UIC and the city. As such, the architecture of the center is more than just a building, it becomes an urban platform on which the different constituencies meet. It houses a concert hall, theaters, performance spaces, rehearsal rooms, an art school, gallery spaces, and offices.
Visionary Cities Project / Alexander Eisenschmidt with Matthew van der Ploeg, Monument to Missed Opportunities for the 7th Ward, Chicago. Exhibited as part of “50 Designers, 50 Ideas, 50 Wards,” Chicago Architecture Foundation, May 24 – December 1, 2016.
Continue Reading →
“Collective City,” in Re-Living the City: UABB 2015 Catalogue (Barcelona: Actar, 2016), 130-135. Continue Reading →
Visionary Cities Project / Alexander Eisenschmidt, Collective City exhibition at the 2015 Bi-City Biennale of Urbanism/Architecture in Shenzhen, China, December 4, 2015 – March 1, 2016.
Collective City, explores spatial, organizational, and material ingenuities born out of the forces and pressures of the contemporary city, answered by the architectural amateur, and used by everyone. As such, the exhibition foregrounds an essential terrain instructive for architecture. The examples highlighted here are important to the way the world is built, influential in its capacities to mobilize, and mesmerizing in its strangeness, yet outside the architectural radar. The exhibition documents, organizes, and projects a catalog of existing inventions and tactics found across the globe (often outrageous, sometimes humorous, but always embedded in the here and now) with the ambition to establish a dictionary of ideas that can act simultaneously as a reality-check and sourcebook. We are interested in how the dynamics of global urbanization effectively influence architecture; or to put it more bluntly, how the intelligences of the existing city can be engaged by architecture. From a street-runway intersection in Gibraltar, via the Osaka baseball stadium-turned-model village, to stilt houses in international waters at Biscayne Bay, these examples form a new city that in the exhibition creates a massive urban panorama, describing different forms of architectural urbanism.
Special guest lecture via live broadcast at the RIBA in London, “Crisis and Chicago’s Speculative Project,” March 8, 2016, 1pm (CST) / 7pm (GMT)
Architectural Record publishes Phantom Chicago Panorama in the article “High Time: Chicago Skyscrapers,” October 2015.
A conclusion to the catalog and an introduction to the city: “A History of Chicago in Ten Architectures,” in Chicago Architecture Biennial: The State of the Art of Architecture, catalog (CAB Publishing, 2015), 153-159.
Radio interview about Chicago’s Ferris Wheel by NPR’s All Things Considered, July 2, 2015 (broadcasted July 3).
Polemic “In Support of the Speculative Project – A Chicago Legacy,” MAS Context #25-26, “Legacy” issue (Spring-Summer 2015): 12-19. A revised version was published in Chicago Architecture Magazine, “Chicago Architecture Biennale” special edition, September/October 2015. Continue Reading →
Keynote at the symposium “After Empirical Urbanism” at the University of Toronto, John H. Daniels Faculty of Architecture, Landscape, and Design, March 1, 2015, 1:30pm.
A panel on Chicago’s catalytic potential for urban and architectural speculation, convened by Alexander Eisenschmidt and Jonathan Mekinda at the Chicago Cultural Center, Millennium Park Room, 5th floor, 4-6 PM, November 22, 2014. Related to the book and the exhibition at the Art Institute, “Chicagoisms: A City to Speculate?” brings together practitioners to present and discuss ideas on speculative projects for the city. Speakers included Sarah Dunn (UrbanLab), Sean Lally (Weathers), Andrew Moddrell (Port A+U), Stanley Tigerman (Tigerman McCurry Architects), and Frances Whitehead (ARTetal Studio). Continue Reading →
Chicagoisms makes Architecture Boston (AB) List of top books to read in 1914, followed by Koolhaas’ Delirious New York and Wolfe’s From Bauhaus to Our House.
“A New Visionary;” lecture at the “Instruments for Urban Production” symposium in conjunction with the book launch of The Petropolis of Tomorrow and hosted at the Chicago Architecture Foundation, April 25, 2014, 6pm.
“Chicagoisms” exhibit featured on TV at WTTW and headlined Chicago Tribune Arts Section: “Small Gallery Stuffed with Big Architectural Ideas” by Blair Kamin.
Book launch event with panel discussion and reception at the Graham Foundation, April 5, 2014, 2pm.
Introduction by Sarah Herda (Director, Graham Foundation), followed by a lecture on the publication by Eisenschmidt, talks by Penelope Dean, Ellen Grimes, Sam Jacob, and Mark Linder, and a closing panel discussion moderated by Jonathan Mekinda.
Co-organizer and curator of Chicagoisms exhibition at the Art Institute of Chicago, Kurokawa Gallery, April 24, 2014 – January 4, 2015. Exhibition design by Studio Offshore (Eisenschmidt) in collaboration with graphic designer Matthew Wizinsky.
120 images, nine models, and five principles. The exhibition builds on the premise of the book Chicagoisms. Revisiting the characteristics, attitudes, and mentalities of the city’s past, it mines the history of Chicago to define principles of architectural action and urban engagement: Vision Shapes History, Optimism Trumps Planning, Ambition Overcomes Nature, Technology Makes Spectacle, and Crisis Provokes Innovation. These Chicagoisms are also deployed here as springboards for new experiments as local and international teams of architects conceived visions inspired by the city that project as models from an array of historical imagery, together constructing a panorama of alternative urban worlds.
In collaboration with architectural historian Jonathan Mekinda and graphic designer Matthew Wizinsky, and with contributions by Bureau Spectacular, DOGMA, MVRDV, ORG, PORT, Sam Jacob Studio, Sean Lally/Weathers, UrbanLab, and WW.
“The New Visionary,” a talk at the Opening Keynote Session at the AIAS Forum in Chicago: “Prospects for an Evolving Profession,” Fairmont Chicago, December 30, 2013, 4pm.
Contributing author and lead-editor of Chicagoisms: The City as Catalyst for Architectural Speculation (Zürich: Scheidegger & Spiess/Park Books, 2013).
Chicagoisms is a collection of essays on the various roles that Chicago has played as a catalyst for the exchange of urban and architectural ideas. In a series of original essays, a diverse roster of distinguished and emerging historians, theorists, curators, and architects explores the different ways that Chicago has influenced the evolution of the architectural discourse in the US and around the world. The book involves 28 authors in a collective interrogation of Chicago as a springboard for architectural and urban speculation. The aim is to instigate a new way of thinking about the city’s influence on the global architectural discourse. Contributions include: a preface by Stanley Tigerman; essays by Penelope Dean, John Harwood, David Haney, Mark Linder, Igor Marjanović, Joanna Merwood-Salisbury, and Albert Pope; project commentaries by William Baker, Barry Bergdoll, Aaron Betsky, Robert Bruegmann, Pedro Gadanho, Ellen Grimes, Sandy Isenstadt, Sam Jacob, Sylvia Lavin, Mark Lee, Andres Lepik, David Lewis, Bart Lootsma, Winy Maas, John McMorrough, Brett Steele, Kazys Varnelis, Sarah Whiting, and Mirko Zardini; as well as my essay, “No Failure Too Great,” a commentary on the circle interchange, entitled “Automatic Urbanism,” and the introduction “Chicago as Idea” (co-authored with Jonathan Mekinda). Published by Scheidegger & Spiess / Park Books, the volume was first presented at the Frankfurt and the Leipzig Book Fair in 2013. It is available in stores worldwide and in the US through distribution by the University of Chicago Press. You can order it here.
Over the duration of the exhibition City Works, the models traveled throughout the gallery, visiting different parts of the panorama’s visionary history, and, finally, came together to create a new collective project of the city – one that is intended as Provocation for Chicago’s Urban Future. Continue Reading →
Gallery Talk, at the occasion of the exhibition City Works: Provocations for Chicago’s Urban Future at the Expo 72 Gallery, September 18, 2013, 5:30pm.
Designer and curator of City Works: Provocation for Chicago’s Urban Future exhibition at the City of Chicago’s Cultural Center – Expo 72 Gallery (72 E. Randolph Street, Chicago), May 24 – September 29, 2013.
City Works was previously exhibited at the 13th International Architecture Biennale in Venice (2012) and has now returned to the city of its origin. The exhibition re-envisions a series of urban environments that are typical for Chicago in order to examine alternatives to the way architecture engages the city. In collaboration with David Brown, Studio Gang Architects, Stanley Tigerman, and UrbanLab / Sarah Dunn & Martin Felsen (who each produced one large models 12’x3′), the installation sets out to find potentials for spatial, material, programmatic, and organizational invention within the city. The four models are surrounded by a 160′-long panorama that shows a visionary city … a drawing entirely composed of historical unbuilt visions for the city of Chicago (created by Eisenschmidt and his team at the Visionary Cities Project). In addition, an iPhone app links the visionary drawings on the wall to the existing city by locating the different schemes and presenting vital information about the projects. Over the duration of the exhibition, the models will travel throughout the gallery, visit the different parts of the city’s visionary history, and, finally, come together to create a new collective project of the city – one that is intended as Provocation for Chicago’s Urban Future.
A collaboration between the Visionary Cities Project and the Museum of the Phantom City (Cheng + Snyder), Visionary Chicago at the Spontaneous Interventions exhibition to present an iPhone app that broadcasts the unbuilt visionary plans for Chicago. Chicago Cultural Center, May 24 – September 1, 2013 (previously at the Venice Architecture Biennale).
The Visionary Cities Project developed an iPhone app in collaboration with Cheng+Snyder (www.chengsnyder.com). This app not only visualizes the large amount of visionary proposals for the city of Chicago but also accompanies the Visionary Chicago Panorama at the exhibition City Works in order to give access to the many projects in the drawing. While the panorama composes a parallel unbuilt city within the confines of the gallery, the iPhone app makes connections to the existing city outside. Here, knowledge about these schemes escapes the gallery and ventures into the city. It allows users to locate and visualize past utopian schemes while traveling through Chicago, with the goal of encouraging playful urban speculation in the present. Download the free iPhone app here.
Invited speaker at the National Conference of the American Planning Association, Chicago, April 15, 2013 [a talk, intended as a provocation to planning].
Book Launch of City Catalyst at the Museum of Contemporary Art in Chicago (September 22, 2012, 1pm) and Launch Party at the University of Illinois at Chicago’s School of Architecture (October 5, 2012, 6pm).
Guest-editor and author of City Catalyst: Architecture in the Age of Extreme Urbanization, Architectural Design, # 219 (September/October 2012).
The discipline’s failure to engage the city productively has devastating consequences that simultaneously diminish the role of architecture and trivialize the city. This issue of AD, then, proposes a new architecture–city relationship beyond outright resistance or unconditional embrace. It suggests rethinking the city as a catalytic realm of invention and a space of possibilities. Contributors include: Kunlé Adeyemi/NLE, Edward Denison, Sarah Dunn and Martin Felsen/UrbanLab, Keller Easterling, Daniela Fabricius, Adriaan Geuze/West 8, Sean Lally/Weathers, Jesse LeCavalier, Jürgen Mayer H, Srdjan Jovanovic Weiss/Normal Architecture Office, OMA, Kyong Park, Albert Pope, Michelle Provoost and Wouter Vanstiphout/Crimson, Robert Somol, Ron Witte/WW, Yoshiharu Tsukamoto/Atelier Bow-Wow, and Bernard Tschumi (interview by Alexander Eisenschmidt). Including my contributions: “Stranger the Fiction: A Mission Statement” (introduction), “The City’s Architectural Project: From Formless City to Forms of Architecture,” and “Importing the City into Architecture: A Conversation with Bernard Tschumi” (interview). You can order it here.
Organizer and chair of the international conference on the state of visionary urbanism, in collaboration with and hosted at the Museum of Contemporary Art in Chicago, 10am-6pm, September 22, 2012 (over 200 attendees, 3 panels, 15 speakers, 3 moderators). Event is featured in full length at Radio WBEZ-NPR.
Architecture’s failure to engage the contemporary city will have devastating consequences that simultaneously diminish the role of architecture and trivialize the city. This symposium will, therefore, probe architecture’s ability to function once again as urban “vision maker.” After all, architecture and urbanism are by definition visionary; its drawings, animations, and scenarios are always an act of forecasting. They are about something that is not yet – a projective envisioning of a world to come. What at first sight might seem to run counter to the professionalism of architecture and urbanism could, in fact, revitalize these disciplines. Hence, the symposium calls on architects to enter the contemporary city with visions for the immediate urban future.
Video installation at the Museum of Contemporary Art Chicago, September 10 – 23, 2012.
Video interview at the 13th Venice Biennale about the curation of City Works, August 2012, aired on September 2012 at La Biennale Channel [4 min].
Chapter “Fantastisches Berlin. Die Entdeckung einer Neuen Metropole,” in August Endell 1871-1925: Architekt und Formkünstler, eds. Nicola Bröcker, Gisela Moeller, Christiane Salge (Berlin: Michael Imhof Verlag, 2012), 326-335; a collection of essays on the works of August Endell. Reviewed in Frankfurter Allgemeine Zeitung and Kunstchronik.
Designer and curator of City Works exhibition at the 13th International Architecture Biennale in Venice, Italy, August 27 – November 25, 2012.
Invited by David Chipperfield, director of the 13th Venice Biennale, Eisenschmidt designed and curated an exhibition that re-envisions a series of urban environments that are typical for Chicago in order to examine visionary alternatives to the way architecture and planning engage the city. The installation is a collaborative effort of 5 teams that involves a large model (12’x12′, produced by David Brown, Studio Gang, Stanley Tigerman, and UrbanLab) of a visionary Chicago as well as an encompassing drawing (100’ long) that creates a visual backdrop. The outside of the screen (produced by the Visionary Cities Project/Alexander Eisenschmidt) is a panorama of a Phantom Chicago, entirely composed of unbuilt visionary proposals for the city. Continue Reading →
VC: Catalog of Visionary Architectures for Chicago was part of the official reference display at the Museum of Contemporary Art for the exhibition Skyscraper: Art and Architecture Against Gravity, June 30 – Sep 23, 2012. Continue Reading →
Review of The Liberal Monument: Urban Design and the Late Modern Project, by Alexander D’Hooghe, Journal of Architectural Education, #65:2 (May 2012): 143-145.
Keynote lecture at the Manufactured Landscapes conference, Chicago, May 19, 2012.
“The Non-Concept City,” a discussion on urbanism with Edward Mitchell, including Robert Bruegmann, Ellen Grimes, Tim Mennel, Jonathan Miller, organized by New Projects, Chicago, March 13, 2012. The exchange was published in the Journal of Architectural Education #66.1, October 2012.
Published in Four Conversations on the Architecture of Discourse, eds. Aaron Levy and William Menking (London: AA Publications, 2012). Continue Reading →
Public lecture at The Arts Club of Chicago, Chicago, February 7, 2012.
Chicago’s visionary unbuilt projects have proved to be of particular importance for the architectural discourse as a whole. The lecture, therefore, investigates some of the most spectacular proposals and asks what makes the city tick as a laboratory of ideas.
This ongoing research project collects, compares, and catalogues every urban vision, from historical treatise to contemporary popular culture. It began as a seminar topic in 2011. The current catalog holds 650 entries. Continue Reading →
Public lecture at the Chicago Architecture Foundation, Chicago, November 2, 2011.
Invited speaker at Symposium on Architectural and Urban History at the University of Illinois at Chicago (organized by Robert Bruegmann), October 28, 2011.
Public lecture hosted by the Center for Architecture in Philadelphia, April 15, 2011.
Lecture at Between Experience and Representation: Cities in an Area of Tension, international conference, Radboud University of Nijmegen, Holland, March 10, 2011 (presented in absence).
Lecture, “Theorien der Raumanschauung und die Entstehung einer neuen Metropole,” was cited in Matthias Schirren’s article “Freiheit und Ordnung: Der Philharmonie Osteingang,” in Scharoun, exhibition catalog, 2011.
Invited Round table participant at Northwestern University, Chicago, December 3, 2010 (other participants: Barry Bergdoll, Andreas Beyer, Neil Levine, Martin Bressani, Robert Bruegmann, and Harry Mallgrave; organized by David Van Zanten).